Frank Llaneza is a lion of the cigar industry who has been described by the Wall Street Journal as “the last grand old man of the cigar business as it was carried over from Cuba.”
He is best known as the former president of Villazon & Co., which was started by his father and his partners in Tampa in 1920. Young Frank was conscripted into the cigar industry, starting out with janitorial duties in his father’s factory, a job that he would have gladly forsaken to spend more time in school instead. But this was the during the Depression, and his choices were limited. As part of his education in the business he soon left for Cuba, where he learned how to select wrapper leaf under the legendary Angel Oliva, Sr., a man who would become first his mentor and later his collaborator.
Llaneza was on the ground in Cuba “when Fidel Castro came down from the mountains into Havana.” He saw changes on the horizon, but initially he didn’t see the extent of them. The Castro regime gained strength and finally fomented a revolution, leading eventually to the confiscation of the entire Cuban tobacco industry. Fortunately, Llaneza, along with Angel Oliva, had wisely already begun their first experiments with Cuban-seed tobacco in Central America.
Llaneza took over the reins of Villazon in 1953 and continued the company’s tradition of making clear Havana cigars. That changed over the following decade as his continued success with growing excellent cuban-seed tobaccos in Honduras provided Villazon the opportunity to fill the full-bodied cigar niche left open by the embargo.
Two of those of those cigars would become mainstays on the American cigar scene for the next fifty-plus years: Punch and Hoyo de Monterrey.
In 1996 General Cigar purchased Villazon and with it those famous brands. Theo Folz, recently retired from Altadis USA, saw this as a missed opportunity for his company:
“We’ve always been a net buyer of businesses,” says Folz. He regrets missing one, Villazon & Co., and its renowned cigarmaker, Frank Llaneza. The maker of Punch and Hoyo de Monterrey was acquired by General Cigar in 1997. “The one acquisition that I should have made, that slipped through my fingers, was Villazon. Because not only would you get a great business, but you would get one of the greatest cigarmakers in my lifetime.” Cigar Aficionado, 3/09/2004
Ironically, Llaneza recently retired from General Cigar and is now blending cigars — for Altadis USA. The Siglo Limited Reserve was his first, and the Frank Llaneza 1961 is his most recent creation.
The 1961 is made in Nicaragua and features a Criollo 98 wrapper from Ecuador. The binder is Nicaraguan, and the filler is a Nicaraguan-Dominican blend. Cigar Insider picked the Cuban Corona size as the pick of the litter, rating it 92 and bestowing upon it “Humidor Selection” status.
Six sizes are available:
- Corona Grande – 6 1/2 x 44
- Cuban Corona – 5 5/8 x 46
- Double Corona – 6 3/4 x 48
- Double Magnum – 6 1/2 x 54
- Magnum – 4 3/4 x 54
- Pyramid – 6 1/4 x 54
Construction Notes
The 1961 Cuban Corona is an unassuming stick with its simple band and dark leathery wrapper. This outer leaf is actually maduro in color; with its leathery appearance and slight sheen of oil, it could pass for a maduro cigar. The head of the cigar is well made and one of my specimens exhibited a quadruple cap. The roll is solid, though one cigar had a very minor dent in one side. The draw is just right and the ash is firm, but it does flake just a little. The burn is very slow. I expected to get 45 minutes to an hour from this stick but it smoldered for almost twice that long.
Overall excellent construction.
Tasting Notes
The Cuban Corona is an assertive cigar that announces itself with a leathery bite. There are a lot of flavors here, but they seem to be blended together so well that it’s hard to distinguish between them. In the first third I was a little overwhelmed by the leather and spice, but I was still able to detect a sweet edge to the smoke. The lengthy finish is impressive.
I learned quickly not to retrohale this cigar at all. Unless you enjoy the sting of rich peppery tobacco and the sneezes and sniffles that accompany it, you won’t either. But simply puffing on this cigar releases clouds of rich woody spice. There’s some salt here too, which had my palate begging for a Islay malt companion. I was happy to oblige with a glass of Lagavulin.
The Cuban Corona comes out of the corner swinging and never lets up for a breather. The last round is not much different than the first, but by this point my palate has taken so many blows that it’s a little bit numb. Pepper, leather, and some cinnamon spice are the main contenders, with the ghost of grilled meat hovering over it all.
Conclusion
This cigar carries all the characteristics of the Honduran style, despite the fact that it has no Honduran leaf. It reminds me of a Camacho more than any other cigar, minus Camacho’s signature Corojo overtones. But this should come as no surprise, since Frank Llaneza has been making this style of cigar for most of his life. The 1961 blend is much bolder, I think, than any Punch or Hoyo I have tasted, but it shares the same leathery, meaty quality of those cigars.
I hesitate to use the verboten term “strong,” but there is certainly an edge to this smoke. The nicotine content is not overpowering, but retrohaling left my mucosal passages crying for Mama. I love the flavors of this cigar, but I am really hoping that some aging will sand down the edges a bit. If that happens, this cigar will truly be worthy of being called a “humidor selection.”
The 1961 is a limited release (see the Stogie Guys review for details) and is retailing for around 7 USD per stick.
Final Score: 87





Both sizes burn very well, though the robusto was not plumb-line even; it corrected itself over time and needed no assistance from me. The 46 was spot-on all the way. The ash is a solid light gray with a yellowish cast.

The Maduro doesn’t stray too far from what you’d expect in a Dominican Maduro. The Brazilian wrapper is very toothy, in fact rough to the touch, and the draw is a little tight but it burns well with a straight and solid ash. The flavors are typical, but good: chocolate and nuts, with negligible finish or aftertaste. There is a touch of spice in the last third, but it won’t satisfy the power smoker – it’s really pretty smooth and mild for the most part. Light to medium in body. Quite pleasant as an everyday light maduro cigar.
The Double Wrap is an impressively built cigar — I think I counted 4 or 5 wraps at the head of this thing. Unfortunately it was unsmokeable. I fought with it for the first inch or so, but the draw was just too tight and what flavors I could get were sharp and metallic. I had to pitch this one and move on to the next.
is 100% “first-generation” Cuban-seed Corojo, and it was probably the most interesting smoke in the sampler. It starts up with a peppery bite and a nice caramel accent. The smoke seems a little thin, but the aroma is quite unusual — the only descriptor I could come up with was “gamey.” It burns slowly and is extremely well-behaved for a blend with so much ligero. The only issue I had was the thin smoke body, which is way over-matched by the power of the cigar. This stick has too much nicotine for me, but I did enjoy its distinctive aroma.
ately spiced with black pepper and accompanied by some caramel sweetness on the nose, it’s nicely balanced. Chocolate flavors appear in the second half and it gets a bit rough on the throat. It’s not terribly complex, but there’s enough here to keep my interest for the duration of the cigar. A good medium-full bodied smoke.
though the draw was again a little tight it was otherwise well constructed. In most ways it’s typical of Ecuadorian Connecticut — creamy with floral notes, but at one point I thought I could detect apple notes. That was unexpected. In the home stretch it’s mostly nuts and creamy shade-grown goodness. Another really decent smoke.
Now, keeping in mind that this area is still in the rich area of Central America that includes both the Jalapa Valley of Nicaragua and the Jamastran of Honduras, the Nicaragua-Honduras distinction might be a little academic. Trojes is equidistant from both Esteli, the capital of Nicaraguan cigar production, and Danli, it’s Honduran equivalent. (More importantly, I wonder if people from Trojes call themselves “Trojens.” Try yelling that when USC comes to play.)
The huge band on this cigar, accompanied by its smaller foot band, might lead one to believe that this cigar has something to hide. And while it’s true that the dusky colorado maduro wrapper is a bit rough and veiny, it’s not so unattractive that it must be veiled from sight. Sometimes the foot band would slip off easily; other times I had to peel it, and as usual this meant chipping the wrapper at the foot. That is why I hate foot bands.




Final Score: 94
Nestor Plasencia Jr. produced the first organic cigar, the
Before the land was cleared for planting it had never been used for any kind of agriculture, so it can truly be called “virgin soil.” This Nicaraguan grown Cuban-seed filler is the heart of the Verdadero Organic cigar, but it is completed with a binder from Sumatra (Indonesia) and a Connecticut seed wrapper from Ecuador. I have seen no claims that the binder and wrapper are organic, so maybe it should be called the Verdadero (Very Nearly) Organic?





(The same technique is used to finish the Particulares cigar.) The triple cap is otherwise extremely well executed. The wrapper is dark, glossy and attractive, despite being a little rough. The corojo cover leaf seems to be very thin, allowing the texture of the rough binder leaf to show on the surface of the cigar. One sample arrived with a small v-shaped crack that posed only a cosmetic threat.
One odd thing I noticed was that the ligero centered in the middle of the cigar seems to flame out as the cigar burns, creating the illusion that the cigar is tunneling, when it really isn’t. I would say it was my imagination, but it happened with both of the cigars I smoked.

I didn’t notice it immediately but it turns out these sticks have pig-tail caps. The tail is curled and pressed down into the head so it just looks like a small swirl. It can be easily prised up with a fingernail, though admittedly there isn’t much point. The rest of the head is wound perfectly into a fine triple cap. The wrapper is somewhat rough but consistent in color, a dark colorado maduro. The band features a lock-and-key motif that “locks” at the point where the band ends meet — a clever design, I think.

Final Score: 90

